Vertical Screen
Vertical video made for the phone, open to everyone. Open a channel and upload.
06 / 07 · Watch · Publish
Five screens. Two modes. One app.
Watch across five screens, or use Studio mode to publish. One account connects audiences and makers, with a shared library and analytics across every screen.
01 / SCREENSPLAYER
Vertical video made for the phone, open to everyone. Open a channel and upload.
A place for new film launches and digital premieres, scheduled and announced ahead of the date.
The OTT screen: titles makers have placed in their own interfaces, arranged the way those makers choose.
Open video, watched the way people already do it. The second screen anyone can upload to.
Live and linear content: anything scheduled rather than browsed, alongside the rest of the viewing experience.
02 / SCREENSPLAYER
Move between all five screens without signing in again. The content a viewer chooses determines which screen opens.
Search once and see vertical videos, feature films and live feeds side by side.
New films launch on the Silver Screen, with digital premieres scheduled and announced ahead.
Use phone, tablet, television and web on one account, without signing in again to move between them.
Anyone watching can open a channel and upload to the Vertical and Purple Screens on the same account.
Scheduled viewing sits alongside browsable content in the same app.
03 / SCREENSPLAYER
Anyone can open a channel and upload to the Vertical and Purple Screens.
Makers can also reach Silver for launches, Black for their own interface and Broadcast for live content.
An interface carries all five screens under the maker's own name. Interfaces are limited in number and awarded by application.
Keep films, episodes, verticals and live events together with their artwork, details and territory rules.
Set the date and time of a launch or digital premiere and let it open automatically.
Use one dashboard across every screen. See watch time minute by minute, the screen a view started on, who is watching and earnings alongside the audience.
THE CONNECTED WORKFLOW